#interact with the author

[shortfeather]

for you🌹mwuah <3

a bit more than a sentence, taken from Moonwatch:

The keep is gray and black and, in rare moments, purple. She, silver and brown and blue, shines against it like a star in the night sky. Gleaming metallic particles drift off her skin in gentle gusts, swirling around her like a galaxy as she looks around the room at the identical masks of the Watchers, and just before her blue eyes close they land on him. When Pearl opens them again, they are reflective silver. She raises her arms to the side, and bares her teeth in a grin, and calls, “Hullo, Grian. How about a hug for your dear sister?”

(send me a 🌹 and I'll post a sentence/snippet from a current WIP!)

[ratunderneathahat]

"Ao3 should allow multiple kudos" "I want to be able to leave more than one kudos"

COMMENT ON THE FUCKING FIC

I SWEAR TO GOD NO ONE COMMENTS MUCH NOW WHEN THE ONLY WAY TO SHOW APPRECIATION FOR A SINGLE CHAPTER IS COMMENTING AND I AM NOT HAVING THIS BULLSHIT BE LIKE TIKTOK WHERE NO ONE EVER COMMENTS POSITIVITY

FOR FUCKS SAKE JUST COMMENT ON THE FUCKING FIC YOU DON'T NEED A MULTIPLE KUDOS BUTTON YOU NEED ACTUAL WORDS

TRUST ME ON ANY WEBSITE OR APP I POST COMMENTS AND WORDS ARE 10X BETTER THAN ANY PLAIN LIKE AND WORDLESS REBLOG IF YOU LIKE SOMETHING LEAVE WORDS

COMMENT

ON

THE

FUCKING

FICS

[tworacoonsinabunnysuit]

La Bussola: Complete

I decided to share the link with the entire work now that it’s finished! Can you believe it??? It’s finished!

Some people commented on some chapters “Wow, Mike Patton self insert? COUNT ME IN!”.

So let me put this here so anyone can see if they want to!

Obs: I know I’m putting myself up to hate… I have been there before… But I rather that people that like find it easier and I deal with any hate it might bring

Obs 2: If you decide to go down this, please please… Comment! I hope you understand how important it is to get feedback from you guys!

[companionquest]

Top Ten Cullen Rutherford Blunders

[tadfools]

You guys are commenting on the fics you read right? You’re at least leaving kudos on the Astarion smut and the pairs that have less than 20 fics for them too? You’re bookmarking stories you really like that are still being updated and ones that haven’t been touched in over a year right?

You know that even the smallest interactions are like cocaine to fic writers right? You understand how important a string of emoji hearts left behind on a chapter at three am is right?? Right????

You’re treating AO3 like a community and not a content factory….right?

[inkskinned]

you know, you know. no gods, no masters, no kings on pedestals. everyone is fallible. death of the author. you know! you are balanced about your intake of media - you allow the wiggle room, the grace, the gratitude, the skepticism. nobody above criticism.

but still. a weird gut-punch feeling, something akin to betrayal. you read the article. surprise! an author you love is actually: a serial fucking predator.

well, shit. what now. no, you knew he was a person (all people are), but now you're wondering - what have i overlooked by accident? what messages have i internalized that are strange and cruel? and also, like, what the fuck?

his actions lay a thick glaze on top of everything. like each place is now ruined, opaque in a new way. but okay, fine, you've done this before. you knew better, right? you've been betrayed by many a cherished childhood author.

still, this stickiness. fuck. can you pick up that book again. will you read it to your children. you've recommended it to others - will you ever do that again? and of course, of course, no parasocial relationships. you were theoretically above this kind of sentiment. but the artist informs the art, right.

so it's not something as clear-cut as feeling he owed you, specifically (a stranger) better behavior - just that you kind of, in a distant and odd way... sort of trusted him to do better. it's not like a real trust or something speakable, just the faint hope that the product (good books) was a thin representation of the soul. now it feels like the product (good? books?) was a mask. in some small or insignificant way, your previous support of this person lent them power. your money and your time and your laughter.

and the thing is - you have this terrible, echoing sensation. how many times will this happen? over and over. you find out that the singer you love is actually a predator. you learn over drinks that your favorite high school english teacher is in jail for what he did to her. you listen to the news idly and suddenly discover that a woman you used to idolize has been abusing her kids for an actual eon.

what can you touch without the static melting off. you can't even really complain about it too much (you were supposed to know better, and besides, you don't want the same re-split "it's not your fault, love what you love" basic advice), but now it's here. somehow, it feels like - you let him into your life.

it's not that things need to be pure or an artist has to be like, endlessly perfect, mindful. demure. it's more just this terrible truth that has been replayed through your veins so often it feels criminally vain. power corrupts, absolute power corrupts absolutely. did you want any one person to be worth that power?

it's just that he wrote books where he seemed to understand that. he seemed to know about hierarchies and unfair systems and bigotry and privilege. you thought they were books about what it means to struggle. you thought they were about having power and still using it for good rather than for control. he spooned you a narrative of being a good guy, a kind soul. you fucking bought what that fucking monster sold.

maybe that's why they were fantasies, after all.

[gellavonhamster]

Very late to the party, but that MA thesis on Jonathan and Mina's gender presentation that circulated on Tumblr some time ago (Jonathan, Mina, and the Holiest Love: Intimations of a virtuous queerness in Dracula (1897) by Viktor Karlsen Hessen) really is so, so good. From a deep dive into Jonathan as a Gothic heroine, complete with step-by-step comparisons with an actual Ann Radcliffe's heroine as well as the other female characters he's paralleled with in the text - Scheherazade and Lenore - to an exploration of how Mina's masculine traits are treated as positive throughout the novel and survive into the ending. Also, the author is very careful and rational when talking about Stoker's personal views and sexuality, neither jumping to conclusions based on a few facts nor disregarding those facts at all.

Also, there's a section comparing Mina to other female characters in Gothic literature who do not act in accordance with the Victorian gender norms but are punished for that - Helen Vaughan from The Great God Pan and Marjorie Lindon from The Beetle, and I personally am 1) always there for some The Great God Pan talk, 2) always there for dragging The Beetle.

[tourettesdog]

I am begging people to be normal about completed fics, and in particular one shots.

I am begging people to stop demanding more from authors, and insisting that one shots need to be longer or have sequels.

I don't think yall understand how many fanfic authors are one more "where's the rest of it?" comment away from throwing out any plans they might have had to continue an idea.

Unless an author like specifically says they might write more for an idea, just-- assume something marked as completed is complete, and respect it as it stands, please.

[fateunwritten-if]

A MESSAGE TO THE INTERACTIVE FICTION COMMUNITY

I shouldn’t have to say this, but apparently, some of y’all need a wake-up call:

STOP HARASSING AUTHORS. Stop badgering them, stop guilt-tripping them, and for the love of god, stop sexually harassing them.

Authors in this community are putting blood, sweat, and soul into writing free games and stories — for you. They don’t owe you updates. They don’t owe you romance routes. They don’t owe you your weird little fantasies. They are not your personal writing service.

Some of you are not just entitled — you’re predatory. If you're sending inappropriate messages to authors, making creepy comments about characters or romance options, or trying to blur boundaries for your own gratification? That’s not “flirting.” That’s not “engaging with the story.” That’s harassment.

If someone tells you a boundary — respect it. If they don’t update for a while — that’s their right. If they don’t write your favorite RO the way you want — tough. They are not here to cater to your every whim. They are here because they love stories. Don’t make them regret sharing them.

This behavior isn’t just “annoying.” It’s driving talented, kind, and brilliant creators out of the community. So if you’ve been part of the problem, take a step back and ask yourself what kind of fan you actually want to be — because right now, some of you are acting like the exact reason creators lock their inboxes, go on hiatus, or quit entirely.

Writers are not your therapists, your kink dispensers, or your emotional punching bags. They’re people. Treat them like it.

And if that’s too hard? Get out. We won’t miss you.

- Amelia <3

[interact-if]

Writing Spotlight: Infamous (Interview)

We had the great pleasure to interview Amy, author of the massively beloved IF Infamous (@infamous-if). She shared some tips, tricks, and insights on her approach to writing.

One of the most notable things about Infamous is how quickly readers get sucked into its world and invested in its web of characters — be it Orion or Blake or G or Victoria or the slightly controversial Seven. They are all incredibly multi-faceted, complex, and sometimes heartbreakingly real.

Amy says:

“I’ve read something by a writer once that I’ve followed faithfully: you should always know what’s happening in the other room. Even if it won’t be available to readers, it helps establish the world and characters as real, tangible things that don’t just poof out of existence once they walk ‘off-screen’ so to speak.”

Here’s the full interview:

1. What drew you to interactive fiction as a storytelling medium? Did you have any experience writing in other formats before, and if so, would you say there’s any differences in the way writing for IFs should be approached?

There’s so much about writing interactive fiction that I love, but I think the main one is the freedom that comes with it! There are so many ideas I can explore, so many endings and storylines. It’s just as fun for writers as it is for readers to push the limits of what their world and characters can do. You can truly sink your teeth into it and develop the story in ways you don’t see often. 

Coming from writing traditional fiction and having never written an interactive story before, I did need to change my mindset a little. You have to learn to be flexible. Very often, I’m writing routes I wouldn’t particularly take as a reader, and it’s interesting to go against my gut to offer a varied experience. I’ve discovered a lot of fun things about Infamous and its characters from routes I would never take if I were reading it in another IF!

2. What does your writing process look like?

I am a plotter to my core! I am endlessly envious of writers who can pants their way through a scene or a chapter. I need to outline every single beat, every scene, every conversation. The plot comes to me first and then I slowly build the main character around that and ask myself what kind of story I want to tell with that main character.

The MC in Infamous leans heavily into the ‘underdog’ trope. That’s how I got much of MC’s personality from. The main thing I ask myself when building the main character is: what do they have, what do they want, and what do they need? I use that to inform the rest of the cast and the stats. My main goal is that every piece works in tandem with the others. They all make sense in my head! 

3. What does good writing / good characters / good world-building etc. mean to you, and what are some central tenets or principles you follow to achieve that? 

A story that gets me invested is a success in my eyes. I want to care for the characters and feel like the world is one that truly exists somewhere. I’ve read something by a writer once that I’ve followed faithfully: you should always know what’s happening in the other room. Even if it won’t be available to readers, it helps establish the world and characters as real, tangible things that don’t just poof out of existence once they walk ‘off-screen’ so to speak. The characters had lives before the story started, people they knew and things they’ve experienced. It informs their personalities and builds them what they are once you meet them on page.

The world is still turning even while the main character is asleep. Things are still happening everywhere…even when we don’t see it. That’s how I try to approach every story to bring it to life. 

4. What’s one piece of advice you’d give to someone just starting out in interactive fiction?

Be firm! It’s so easy to get swept up in the excitement of having an audience and wanting to keep that audience. It’s not uncommon to make the mistake of overpromising to please every reader. You won’t be able to, trust me! You’ll only write yourself in a corner. It’s healthy to find a good balance between sticking to your gut and accepting/being open to suggestions. 

A tinier one but: know your endings! It’s best to know what you’re writing toward. It’ll be so much easier to stick to the story and avoid meandering through the plot if you know how each route ends. Everything I write is to get to that ending in one way or the other.

5. Where do you find your ideas or inspiration for new stories or mechanics?Where did your story idea originate? Has it strayed far from that concept/evolved during the writing process? 

I guess it’s quite on brand to say that almost every story idea I’ve had came from a song, Infamous included. My head is always thinking of songs as potential needle drops or playlists as movie soundtracks. Infamous in particular, was formed from Brie Larson’s cover of Black Sheep in the Scott Pilgrim movie. It features a Battle of the Bands sequence that made me want to read a story with the same concept. I scoured and scoured for a band IF that scratched that particular itch but didn’t find any. Eventually, I gave in and did it myself! That’s one of the best parts of the community; you can just do it. 

Surprisingly, this is one of the few stories of mine that hasn’t strayed far from the original idea. I think it helps that I’m writing exactly what I wanted to read once upon a time.

End of interview

—

A big thanks once again to Amy for her insightful answers, and @veswrites-if for taking the time to coordinate the interview. Hope that this was a fun and interesting read.

Stay tuned for more of these interviews :)

[fables-if]

The Night of Ataegina and Betatun

A high fantasy interactive fiction story based on Spanish mythology, folklore, and paganism. Set in modern-day Spain. Most locations and all the characters are fictional, except the type of fae that will be seen during the story.

Summary:

After leaving Imeria during your eighteen birthday to chase your dreams and college education, you return to the little village in Southern Europe that saw you grow up after receiving the horrible news that Caterina, the old woman that took you in after the death of your family and your adoptive grandma (or yaya, as you call her), is terminally ill and has a few months left.

During your return, Imeria is set in motion to host an ancient festival and masquerade. It’s supposed to honor two ancient Iberian deities, one called Ataegina, ruler of the underworld, and the other one Betatun, deity of fertility. Most Imerians don’t believe in the ancient legends but those who do, like Catelina say that it’s the most dangerous night of the year because the frontier between the mortal and the magic realm is so thin anything can happen. 

Returning home under the threat of Caterina dying is already hard enough, but will you be able to adapt back into Imeria and rekindle old friendships or form new ones? Will you uncover the deep and rich history of your home and the old magic it carries? 

We shall discover it all very soon.

Features:

Customizable mc: Gender, pronouns, and physical appearance

Build friendship or romance with four characters.

Learn more about Spain's folklore and pagan traditions. Uncover your family history and your abilities.

Develop your MC's personality as you go

Two characters are gender locked but you can choose the gender identity of the other two

Your choices can't be undone and will have consequences.

Characters:

Caterina: An older woman, well into her 80s who took in the MC after most of her family died. She doesn’t seem to have a family of her own, or at least that’s what Mc believes. Caterina has a sweet disposition, always up for helping anybody. She raised MC with the stories of the folklore of their village, so she will always know how to honor the traditions of Imeria. MC doesn’t remember very well what she did for a living but she used to do fortune and tarot reading for some villagers and they usually came to her for advice and help. 

Ana: She runs The Golden Apothecary, a small store where she sells traditional remedies. Her family has run the Apothecary forever, and it’s considered a family craft. Ana has golden shoulder-length wavy hair, almond ocean-blue eyes, and a button nose. She’s no taller than 167cm, with a voluptuous body and soft features. Ana is in her late 20s to early 30s.

Personality-wise, Ana is soft-spoken, sweet, and very open-minded. She strikes to accept everyone with open arms, as long as they’re good people. Unfortunately, some individuals mistake Ana’s kindness with weakness, which is untrue. Ana is extremely smart, stubborn, and strong-minded, she’s always kind but only to those who deserve it. She can be a lot to reckon with if she deems you a bad person. Ana dreams of seeing the world but there is something tying her to Imeria.

Supernatural or not (spoiler):

Ana is a Xana, a river spirit that helps those she finds worthy by offering them pure water or gold. Some people believe that Xanas interchange human babies with fairy babies. As a river spirit, Ana can’t be apart from her river or she’ll suffer horrible consequences.  She met Caterina when Caterina was a young maiden and bathed in her river. Ana saw the purity of her soul and gifted her magic. Xanas are mythological creatures that originate from Asturias, a northern region of Spain with strong Celtic influences.

Anne, An or Antón: Anne/An/Antón works on their family farm along with some of their siblings. The Zamora’s farm supplies Imeria with its fresh produce. Everyone knows the family since they’re a happy and amicable bunch. Anne/An/Antón is pretty tall, around 185cm, they have wide shoulders, a big frame, tan skin and are chubby. The shape of their face is round, with little freckles, big green eyes, long eyelashes, and a hooked nose. They have short straight brown hair and are a bit hairy.. Their voice is deep and loud, almost booming, exactly like their laugh. Anne/An/Antón is super extroverted, knows everybody in the village, and has a sunny and sweet disposition. They are super strong, from all the physical labor but their secret hobby crocheting, they’re always making little dolls for the children of the village or making clothes. In general, they’re super well-liked and have a golden heart. Anne/An/Antón is the MC's childhood best friend and neighbor. Unfortunately, after leaving Imeria they didn’t keep in touch. Anne/An/Antón is 25 years old. 

Supernatural or not:

Anne/An/Antón is an Ome, a mountain spirit, and a giant made of rock that turns into mountains after living for many centuries. Their whole family is made of Omes graznidos. Omes Graznidos are a type of mythological creature that originates from Aragón, a northeast region of Spain surrounded by mountains.

Diego, Diana, or Dix: Diego/Diana/Dix is new in Imeria, they have been living in the little village for less than a year. Nobody knows where they came from, they remain a bit of a mystery for everyone. They set up a popular lounge called “The Velvet Moon” in the middle of the village, very exclusive and chic which clashes with the rest of the decoration of Imeria. Still, the young Imerians love the place. They’re 31 years old but look slightly older. 

Diego/Diana/Dix is of average height, standing around 174cm, they’re pretty slender, with a petite frame and olive skin. They have an angular face, with sharp features, long shaggy black hair, and clear eyes that almost seem silver-colored. Diego/Diana/Dix keep mostly to themselves and can be seen riding their motorcycle around the village. They have a limp and can be seen using a cane. As mysterious as they are, they’re pretty talkative once you get to know them, and are very protective of those they love. Diego/Diana/Dix seems to be interested in the MC, since they’re always watching them, and seem to have a secret that they don’t want to share with anybody. They are very self-reliant, have learned to survive by themselves and have a hard time trusting others, but once you have earned their trust, they’re loyal to a fault. 

Rumors say they have a criminal past and are mixed with a bad crowd, but not everything seems as it is.  

Supernatural or not (spoilers):

Diego/Diana/Dix takes the form of a giant spectral dog, with long black hair and a permanent limp, which is called dip by Spanish folklore. They’re supposed to be emissaries from the devil and they suck the blood of the livestock at night. However, not all legends tell the entire truth. 

Bingen: Bingen lives in the forests near Imeria, where he has a small cottage and a little bit of land where he has a vegetable patch. Bingen is a well-known journalist for online newspapers. He’s an ecologist, and his coverage is mostly about the natural world and ecologism. 

Bingen barely sets foot in Imeria, he is auto-sufficient but he comes down to the village to visit Ana and her apothecary, and to buy a few things he needs.

Bingen has a square jaw with high cheekbones, sharp green eyes, and long blonde messy hair, usually kept in a braid. He has a sweet face with a straight nose, and round brown eyes that resemble a little lamb. He’s the tallest of the bunch, 1’90cm, very muscled from all the exercise, and has a big frame. He loves hiking and is very in touch with nature. Bingen has a hard time socializing, preferring being around animals and plants since he understands them better. He, as intimidating as he looks, is a sweetheart and really craves human connection. Bingen is not talkative but expresses his feelings and emotions through his actions. He might have a hard time telling you he cares about you but he’ll help you install furniture or will make you soup when you’re sick. He always shows up when you need him to.

Bingen recently led a rescue of a few teens who got lost in the forest and saved them from a wolf attack, since then a lot of the villagers have respected him a lot and brought little sweet treats to his cottage. He's in between 27-33 years old.

He has struck a friendship with Ana, who frequents the forest often.   

Supernatural or not (Spoilers):

Bingen is a Basajaún a creature that inhabits the forests of The Basque Country, Navarra, and some parts of Aragón. Basajaúns are described as giant hairy men who protect the livestock, and warn shepherds of wolfs during the night. Basajaúns are seen as protectors of the forest but also creatures of great strength and kinda dangerous. 

Rami: A green weasel-like creature, with a long and flexible body, similar to a snake, and little tusks. They’re friendly and sweet and help guide the MC during their adventure. Rami’s fur has healing qualities. 

Extra:

This project is made by an absolute amateur in coding so it's going to take a long time. I have been writing since forever so I trust in my ability to create a good and entertaining story and I hope you guys stay for the ride.

The Night of Ataegina and Betatún is also going to be a surprise gift for a dear friend of mine who absolutely loves Interactive fiction and this project (if I get to finish it;_;) might be the way I ask her out since we both harbor strong feelings for each other. So let's hope she doesn't find out about the project before it's time.

[shortfeather]

for the hermit swap ask game, maybe something with moss xisuma ^-^ think theres some cool directions that could go ^-^

Most players manifested a connection to a mob, so it was a bit of a surprise for Xisuma to wake up after an update and realize he'd become one with the moss.

It suited him, though. The green added some lovely texture and gentleness to his otherwise intimidating armor, and the already beautiful lush caves held an even deeper joy for him. There was nothing quite like sinking a hand, or his whole body, into the thick, verdant green to feel across the whole server, an ever-expanding network that served no purpose other than to exist and be gathered.

(It was also a great way to prank people, lying beneath the surface until another Hermit walked nearby, then popping up to call hello and watch them shriek.)

What was most surprising about the whole thing, though, is that it was helpful. As moss made its way into everyone's builds, so too did Xisuma's awareness, when he spread it out. For the sake of privacy, he avoided his friends' bases when merging with his origin—but when someone had a problem, he could fall into the mound of moss he'd made his bed, seek out the Hermit in question, and come far more prepared than he once would have. If nothing else, it took a lot of stress off his mind, and he would never be annoyed with that.

Yes, the moss suited him well.

(Ask game linked here)

[royaltea000]

he could not control the class 😔

[saragrosie]

Discooooooooooooooooooo

[larkingame]

🩸LARKIN EPISODE ONE CHARACTER PROMOS🤠

[waitineedaname]

i was thinking my little thoughts while falling asleep last night, and a concept occurred to me: what if binghe learned about the system not from shen qingqiu, but from shang qinghua

look, he likes shang qinghua alright. he's pretty disinterested in p much anyone who isn't shen qingqiu, but on the list of People Luo Binghe Tolerates, shang qinghua is relatively high. he gave him advice on wooing sqq, after all, and sqq likes his company, so binghe tolerates his shang-shishu

but the thing is, shang qinghua is a spy. has been for decades. binghe knows this. really, everyone knows this at this point, which isn't a great look for a spy, but still. and since shang qinghua is a spy for mobei-jun, who is a subordinate for luo binghe, then technically shang qinghua is also working for him, but you don't get to the position of demon emperor without a healthy amount of suspicion for everyone in your court

so he decides to test shang qinghua a little bit. nothing major, just a little poking around in his dreams. he starts out with a subtle touch, just sifting through his memories. most of it is what he expected. he sees his time on an ding as a disciple and then later as peak lord, he sees him working for mobei-jun. he sees mobei-jun in some compromising situations, which he files away for later, and then sees him in an entirely different flavor of compromising situations, and binghe immediately decides to act like he never saw that

then he decides to take a more direct approach and starts nudging the dreams in other directions, to see how he might react to certain scenarios, test his loyalty. he expects shang qinghua to act cowardly, or bluff his way through a situaton, maybe even draw his sword if pushed far enough

what he doesn't expect is for shang qinghua to frown at the changes luo binghe made and go "I didn't write it like this"

what

binghe is so bewildered by that response that he loses his grip on the dream for a second, and before he knows it, shang qinghua has spun the dream scenario back into the way the scene originally played out. he steps back and looks satisfied. "there we go," he says. "that's how it went. you know, if I'd known I'd be dealing with this scene myself, I would've written it differently"

what the hell does that mean?

fascinated, luo binghe continues to test him. most of the time, when he toys with someone's dream, they're completely unaware of the changes. shang qinghua, despite not seeming aware that he's lucid dreaming, seems very aware of how each scene should go. except for, strangely, many of the scenes that binghe himself was in. binghe pulls up one from his disciple days, one of the times he remembered shang qinghua coming to qing jing on some errand. he hadn't even changed anything yet, had just let the dream version of his younger self launch himself at shizun in a tacklehug, but shang qinghua tsks and takes the reins from him before he can make any edits. "sorry bing-ge, but that was just way too out of character," shang qinghua says. the dream copy of luo binghe's younger self is sent further away, watching the peak lords with a sullen gaze. he's skinnier than binghe remembers being at this age, and one of his eyes is swollen with a purple bruise. that doesn't make any sense, luo binghe thinks. he hadn't been beaten on qing jing peak for years at this point.

the shen qingqiu beside shang qinghua in the dream stands with his back straight as a ruler, and when his gaze lands on luo binghe, he sneers behind his fan. shang qinghua sighs. "cucumber-bro really wasn't as good of an actor as he thought he was. he's way too soft to ever seem like the original goods."

alarmed, luo binghe dispels the dream and steps out of it entirely. sure, he knows shen qingqiu's personality changed almost overnight when he had that qi deviation. everyone knew that. he avoided questioning it much, unwilling to look a gift horse in the mouth when it meant having a shizun that cared for him

but shang qinghua. shang qinghua seems to know something more about shen qingqiu's personality change. something he's not sharing. luo binghe didn't like the idea that one of his subordinates could be hiding something as vital as this from him

well, this had been a test of his spy's loyalties, hadn't it? perhaps he should make a visit to an ding. he had some questions.